See How The Flower Leans Instinctively Toward The Light

Taking fine-drawn notes from screen sirens of the past such as Jane Forth and Clara Bow, Submission’s latest beauty story explores how eccentricity and drama can be subtle and oh so delightful

PHOTOGRAPHY OLIVIA MALONE @oliviamalone 
HAIR AMBER DUARTE @amber_duarte
MAKEUP JOHANNA NOMIEY @johannanomiey @homeagency using Submission Beauty @submission.beauty
STYLING MEG PARSONS @meg__parsons @therexagency using only sustainable and independent designers, personal archive and vintage pieces
CASTING & ART DIRECTION MOLLIE MAGUIRE @molliemaguire SUBMISSION CASTING + MANAGEMENT 
PHOTOGRAPHY ASSISTANTS BONO MELENDREZ @bonomelendrez CAMILLE RICE @camillesrice 
MODELS MALLORY @malloryveith@visionlosangeles MORIAH @morrstarr @wearethatagency SAHARA LIN @palefoxsahara@elitenyc

“I spent a lot of my time looking at blue, 
The colour of my room and my mood:
Blue on the walls, blue out of my mouth;
The sort of blue between clouds, when the sun comes out,
The sort of blue in those eyes you get hung up about.” 

Symphony In Blue, Kate Bush, 1978

  • Sahara wears stylists own vintage dress

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“You came out of the night, 
Wearing a mask in white colour. 
My eyes were shining
On the wine, and your aura.”

L’Amour Looks Something Like You, Kate Bush, 1978

  • Moriah wears a top by Sc103

  • Mallory wears a dress by Erika Maish

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  • Sahara wears a top by Simone Rocha and skirt by Chelsea Mak

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See how the flower leans instinctively 
Toward the light 
See how the heart reaches out instinctively 
For no reason but to touch
The pull and the push of it all

  • Moriah wears a full look by Diotima

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@OLIVIAMALONE