@albertemortensen_ @katrinenoerskau
SS27: Caro Editions After Midnight
For designer Caroline Bille Brahe, the best nights never quite end when the club closes. They continue through the walk home with friends, the final drink and the conversations that stretch into daylight. Caro Editions SS27 returned to that feeling through a collection built around excess, nostalgia and the freedom of no longer caring what anyone thinks. The clothes were tighter and sexier, styled with the instinct to wear everything at once. This was the Caro Editions woman after midnight: still dressed for the night, but no longer interested in behaving perfectly.
PHOTOGRAPHY JULIA DANSARIE @dansarie
STYLING EMELIE JOHANSSON @emelierjohansson
HAIR CIM MAHONEY @cimmahony
MAKEUP ZENIA JAEGER @makeupbyzeniajaeger @streetersagency using @submission.beauty
MAKEUP ASSISTANTS AMANDA DAHL @byamandadahl ANNA MANILLA @annamannila JANE JAKOBI @jane_jakobi_ JOHANNA NOMIEY @johannanomiey NATHALIE HELLQVIST MITOVSKI @nathaliemitovski PATRICIA HECK @patriciaheck.de VALENTINA DI LUCA @byvalentinadiluca
CASTING KAROLYN SCHYTZ @karoline_schytz
ART DIRECTION MOON INTERNATIONAL @moon_intl
The show unfolded outside a fictional nightclub somewhere between Los Angeles, Berlin and Paris, with the audience positioned as witnesses to the aftermath of a legendary night. Models emerged through the doors one by one, caught in rapid flashes before disappearing into waiting cars or back into the dark. Caroline drew from memories of dressing up to go out and Princess Diana’s off-duty revenge era—capri pants, oversized sweatshirts, sunglasses and the confidence of dressing entirely for yourself. Rhinestones, embroidery and humor carried that attitude through the collection.
Submission Beauty entered the story at the moment the women stepped outside. Zenia Jaeger approached the makeup as something that had already been sweated through and worn away rather than freshly applied. A custom mix of gold, silver and iridescent glitter was smeared around the eyes and left in sparse traces underneath them, as though a full glitter eye had migrated and mostly disappeared over the course of the night. Highlighter Deep was pressed across the cheeks and nose, while layers of Balm Shiny gave the skin the damp flush of hours spent dancing. No perfect lines here. Outside, camera flashes caught only fragments: a shoulder, a rhinestone, glitter collecting beneath the eyes.
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@akur_goi
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@zoey.kamatari @eniko
“The show has that feeling of being in the dark club all night, dancing, and then stepping outside in the summer when it is suddenly light. You walk out with your friends, laughing and digesting what just happened. The party isn’t over yet - it continues. Maybe there’s an afterparty around the corner? It just never stops.”
- Caroline Bille Brahe, founder and designer, Caro Editions
“It’s a no-rules, do-whatever-you-want, fuck-the-world kind of feeling. Fuck what everybody thinks about you. You are just yourself, you wear whatever you want however you want to wear it, and you go out and party.”
- Caroline Bille Brahe, founder and designer, Caro Editions
@millehalfdan
“The makeup is the aftermath of a night out. You had a full glitter eye when you walked into the club, but after hours of dancing, only a little residue is left. It isn’t a perfect line anymore - it has been worn away and smeared around the eyes. You’re on your way home - or maybe to another after-party. The women of the show are stepping outside into the flashes, a little flushed and sweaty, with the remains of the makeup they arrived in still visible.”
- Zenia Jaeger, key makeup,
Submission Beauty
“We placed Highlighter Deep directly on the cheeks and across the nose to create the flush you get from dancing and clubbing. The skin is shiny, a little sweaty and catches the light.
Deep and the custom mix of our gold, silver and iridescent pink, blue and green glitter are the heroes of the look for this season.”
- Zenia Jaeger, key makeup, Submission Beauty
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@erinwasson
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@klara___kristin @rosemarie_vind
“I love working with Submission Beauty and Zenia because she understands what I want without me having to say too much. She knows how I see a woman, and I trust her completely. A show comes with so much pressure, so having someone who speaks the same language and can take the idea somewhere beautiful feels incredibly safe. She also knows a thing or two about late nights and early mornings, so this felt like the perfect show to work together on!”- Caroline Bille Brahe, founder and designer, Caro Editions